Saturday, January 11th, 2014
One of the central questions in the field of media studies concerns the relationships between different types of media. In what way do the so-called ‘new’ media affect the task, nature and function of their predecessors? Especially in contemporary culture, in which the ever-growing impact of digitization is a characteristic feature, such questions are […]
0 comments
Thursday, October 3rd, 2013
This is the abstract of Jeroen Mettes’ uncompleted PhD — “Modern Western poetry is historically defined by its break with traditional forms. The caesura that separates poetic tradition from poetic modernity, however, is not simply a matter of one poetics being replaced by another poetics, i.e., a new set of forms; a full crise […]
0 comments
Thursday, July 4th, 2013
What interests us in romanticism is that we still belong to the era it opened up. Nancy and Lacoue-Labarthe (1988:8) But in order to render myself intelligible I must previously, in as few words as possible, explain my ideas, first, of a poem; and secondly, of poetry itself, in kind and in essence. Coleridge (1982:171) […]
0 comments
Friday, October 4th, 2013
CREATION Poesie kann nur durch Poesie kritisiert werden. Friedrich Schlegel It is the apparent fate of the critic to live in a time of restoration. Poetry always already reaches him in ruins – ruins that are nevertheless prejudged and predetermined as some X, some cultural variable, to be further judged, determined and ‘explained’. Restoration […]
0 comments
Sunday, August 4th, 2013
PART I: CHAOTIC BEGINNING 1. CONTEMPORARY APPROACHES TO MODERN POETRY 2. THE CRITICAL AGE Gib nach dem löblichen Verlangen, Von vorn die Schöpfung anzufangen! Goethe 3: 273 Der Idealismus ist der Mittelpunkt und die Grundlage der deutschen Literatur. Friedrich Schlegel In the previous chapter I attempted to show the relative inadequacy of current […]
0 comments